important people, get important awards, say important things

My Guests and I didn’t watch the Oscars and simply don’t care.  We love old movies and old Hollywood.  Now everything sucks.  So we don’t watch, and would rather examine different kinds of beach sand in a laboratory than learn who won.

The Oscars used to be alongside the Super Bowl as a much watch event for the whole country each year.  But that was decades ago.  I can’t fathom a human being who still watches this running joke.  Though I’m sure plenty of decent, good people do so for their own reasons.  Hey we all have our own guilty pleasures, folks!  Mine’s beer, and more beer.

Anyways, we’ve come up with some belligerent guesses on how all this played out:

1) Most of the awards went to obscure arthouse projects and actors for films that almost nobody saw or will ever see

2) The ceremony dragged on for a bloated five plus hours as these self-identified very, very important people stroke their own egos with delicious hot fry oil

3) A celebrity made it a point to show and/or state how rich they are compared to YOU, the poor shit eating masses

4) Various, multiple, one-sided, unneeded, petulant, militant comments were made about the current state of American politics

5) Conversely, no mention was made about China’s current, daily crimes, because Hollywood wants China’s money and supporting evil helps with that

6) One or both Clooney’s offered a remark that made the audience desire to shoot one or both of them into the Sun via giant clown cannon

7) Bogart’s ghost appeared on stage and stated deadpan, “I hate the lot of ya.  You’re not real people.  I wouldn’t ever have a drink with any of ya.”

8) A woman clutched the Oscar statue, and quoted 37 Me Too platitudes, all without understanding the same statue is still held without shame by an acknowledged child girl rapist

9) George Lucas showed up, and tried to get everybody to shake his hand so it could be remembered that he is, in fact, still alive

10) Militant anti-film luddites stormed the stage wielding plastic bats and proclaimed a return to a “Heroic Book Future” before being subjected to tasers

Fin

Sean Bean seeks immortality

Great news! Sean Bean no longer wants to die. Said the global movie star, walking corpse, professional axe thrower, and jai-alai extraordinaire: “I’ve turned down stuff. I’ve said, “They know my character’s going to die because I’m in it!”

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“A ghost on Twitter.”

 

These are some of the positive changes in life, with so much else going wrong in the world, you can at least bank in the win column that in Bean’s forthcoming World War 2 role that an SS stooge isn’t going to cleave him in half with a flaming chainsaw.

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“Just another day at the office lads.  Be sure to clean up the mess.”

 

When you read this article, it’s comical how many different ways Bean gets tuned up on screen. It also kind of surprised me that Bean has died so many times because he’s played an evil villain.

I think this is because in my brain Bean is primarily Richard Sharpe. But in most of his death roles he’s been a murderer, rapist, terrorist, traitor, etc, etc.

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“Me, die?  Oh, oh no, mate.  This is the Sharpe Series.  I make other people die.”

 

But, we at TAP know more. We’ve also received exclusive word that not only does Bean not wish to die on set anymore, he also wishes to never die in real life.

Our contacts overheard him and his mates at The Major Pub & Grille in York. Bean was explaining his master plan at immortality. My agents even swiped the bar napkin he drew for his lads showing the infernal machine that will sustain his life until our Sun explodes.

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Bean also specifically said he’d do it right, and not like that “shite, con game” that was The Frankenstein Chronicles. This warms my heart to hear.

We fully endorse this plan. Bean just needs the funds to make it happen. If you’d like to contribute a small amount of your vast international gold reserves to help Sean Bean achieve immortality, please kindly mail cash or gold bullion to the following address:

The Arcturus Project – Sean Bean Immortality Project

C/O Nigerian National Petroleum Corporation

1794 Aguiyi Ironsi Street

Abuja 900001, Nigeria

 

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“Oh, hey there my Orc lads, just turned 1,376 today. Fancy a celebratory pint?”

Game of Thrones will provide an ending that each individual viewer deserves

Once upon a time Ian McShane (a first rate actor who for whatever reason received the most bit of bit parts in Game of Thrones) got himself in a lot of trouble for leaking part of the plot prior to airing. McShane’s response has remained one of my favorite quotes for some time: “I was accused of giving the plot away, but I just think, get a fucking life. It’s only tits and dragons.” They should put that quote on the Blu-ray box cover for this series.

If you remember back to the very beginning, that’s all this show was originally intended to be. When David Benioff and D. B. Weiss pitched this to HBO they spouted a whole bunch of high minded nonsense, but what this show really was always meant to be is a play on the typical fantasy genre, just with the sex and violence thrown into overdrive. It was kitty litter for men who loved Lord of the Rings but didn’t get the level of nudity and decapitations they wanted.

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But, somewhere along the way this show became mainstream. For example, routinely the number one most read Washington Post article on the Monday after each new episode is Game of Thrones:

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Somewhere in this fact is a weird (and very disturbing) correlation and theory that the newspaper readers of the capitol’s elite are also big time Game of Thrones fans.

We’ve long been haters of Game of Thrones on this blog.

To paraphrase, the criticism has always focused on the nihilism, the manipulation of base instincts, the lack of any character to really cheer for, and generally the lack of any real point. Game of Thrones has had such an influence on the screen and many other shows have sought to copy it. Here’s what I wrote back in 2017 whilst ripping apart Ripper Street:

“This is very much in the vein of Game of Thrones. I no longer watch Game of Thrones but generally keep abreast of what happens in the show. And I’m always struck in discussions with friends or coworkers who still watch and who try to self-rationalize what they see on screen. They seem to think somehow that by the end of Game of Thrones it will all somehow all work out. They talk themselves into it. Almost as if they need it.

They typically will focus on Emilia Clarke’s Daenerys Targaryen as an example of the good one, or the one to root for, or the one who by the end of the series will emerge with at least some sense of accomplishment. This is in fact a specific plot point brought up within the show itself, where Danny is there to break the cycle, to stop the chaos, to bring some sense of peace to an absolutely horrific world.

But I always ask my friends and coworkers why this must be so? Why must, or should, Game of Thrones end in such a way? Why can’t the white walkers just kill everybody in the last episode? Why can’t Daenerys end up on the throne atop a pile of murdered corpses? Why must there be any redemption or peace at all, when all that’s occurred thus far is chaos and has no meaning?”

And so here we are, Game of Thrones is almost done and indeed Daenerys has ended up on the throne atop a pile of murdered corpses. To which I’ll say, what were viewers expecting? What did they think this show actually was?

It has greatly amused me to read the online reviews from professionals and ordinary people as they try to come to grips with the reality of what this show actually is, and always has been.

Myles McNutt over at A.V. Club had this to say after the white walker battle a few weeks ago:

“This is yet another large-scale battle, similar to the Battle Of The Bastards, where the moment you start getting your breath back and begin taking stock of what happened, the spell of the immersion breaks and you realize that there’s not as much “there” there as you were hoping for.”

It’s because there’s not a “there” actually “there”. The only thing that’s “there” is tits and dragons.

Or here’s a Twitter quote from ordinary average person “carol”:

“turning daenerys the mad queen because everyone betrayed her, making her look like a fool and weak, kill her dragons… in this essay I will explain why mean can’t write female characters”

This brings up another point I’ve always found weird, that Game of Thrones is some progressive icon movement, which probably helps to explain the Washington Post popularity. But to “carol” I guess I again come back to what did you expect? Game of Thrones was your feminist icon show? Really? Spare me.

Before I stopped watching this show I remember the scene where Petyr Baelish (played by the always excellent Aidan Gillen) gives a monologue soliloquy on why he’s such a manipulator. Gillen is so talented, this is a scene worthy of Shakespeare. Except, during the entire scene behind Gillen are two women engaged in extremely hardcore lesbian sex. Did “carol” or other people forget that this scene (and many other like it) happened? Or did they think that Game of Thrones matured? Or did they try and rationalize these aspects of the show somehow?

I think history will look back on this show and people will be like, why was this trash so popular? For example, remember Survivor, back in 2000 over 50 million people (50 million! when the US population was way smaller) watched the Season 1 finale. I was one of them. What the hell were we all thinking? I feel so ashamed and baffled.

Everybody is searching for any connection to other humans in this social media world. Once upon a time Friends and Seinfeld would routinely crank north of 30 million viewers each episode. Now almost no show can reach those numbers, not even Game of Thrones. So unless you love sports or politics, a lot of people are left searching for their water cooler topic, their connection to another human being. I think Game of Thrones became that topic. And in the process a lot of people tacked a lot of faith and emotions onto a show that simply didn’t deserve such a commitment.

This show will provide an ending that each individual viewer deserves. If someone loved Lord of the Rings but wanted more severed limbs and tons of sex, this show gave them what they wanted. If somebody was looking for high drama, meaning, purpose, or even joy, then they were foolish and are going to get the horrifying ending they deserve.

It’s always just been tits and dragons, folks. There are so many entertainment other options nowadays, with limitless shows to choose from, use your eyeballs wisely.

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burning away misguided expectations

why does the planet always have amnesia?

I’ll not be seeing Captain Marvel, I just don’t care.  I can’t remember the last Marvel movie I saw.  I think it was Guardians 2?  Was that the one where Kurt Russell dressed as a cult leader?  I barely remember.  I’m so over faceless superhero movies.

What’s the big deal with Captain Marvel?  That we finally get a big sci-fi movie with a female lead?  Why does the planet always have amnesia?  It must be a biproduct of only knowing what a tweet tells you to think.

Hey remember Weaver in Aliens and Hamilton in Terminator?  If you don’t, go watch these movies again.  If you haven’t seen these movies, shame on you.  These actresses and these movies are awesome.  These movies are like decades old by now.

Having not seen Captain Marvel (a movie written by a faceless boardroom of suits), I know Aliens and Terminator are superior.  And that Weaver and Hamilton are better actresses.  So, whatever Disney, who cares.

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Damn I love those movies.  Maybe I’ll watch them again and review them for this degenerate blog?  Nobody wants this, so we’ll probably do it.